Elara is a passionate writer and innovation coach, sharing her expertise to help others unlock their creative potential.
Picture the following: a smiling the Danish striker in a Napoli shirt. Next, juxtapose it with a sad-looking the Slovenian forward sporting United's jersey, appearing like he just missed a sitter. Do not worry locating a real picture of that miss; background information is your adversary. Then, add statistics in a big, comical font. Don't forget some emoticons. Share the image across all platforms.
Will you point out that Højlund's tally features scores in the premier European competition while Sesko does not compete in Europe? Certainly not. Nor would you highlight that four of Højlund's goals were scored versus weaker national sides, or that Denmark is far superior to Sesko's Slovenia and generates many more scoring opportunities. You run online for a large outlet, raw interaction is what pays the bills, Manchester United are the biggest draw, and nuance is your sworn enemy.
Thus the cycle of content spins. Your next task is to scan a 44-minute podcast featuring Peter Schmeichel and extract the part where he describes the acquisition of Sesko "weird". There's a bit, where Schmeichel prefaces his remarks by saying, "Nothing negative to say about Benjamin Sesko"... well, cut that. Nobody needs that. Just ensure "weird" and "the player" are paired in the title. The audience will be outraged.
The heart of fall has long been one of my preferred times to watch football. The leaves swirl, the wind turns, squads and strategies are still fresh, everything is new and yet everything is beginning to form. The stars of the coming months are staking their claims. The transfer window is shut. No one is mentioning the multiple trophies yet. All teams are in contention. At this precise point, anything is possible.
However, for many of the same reasons, mid-autumn has also been one of my most disliked times to consume news on football. Because although no outcomes are decided, something must always be getting settled. Jack Grealish is resurgent. Florian Wirtz has been a crushing disappointment. Is Antoine Semenyo the top performer in the league at this moment? Please a decision immediately.
And for numerous reasons, Sesko feels like the archetype in this respect, a player caught between football's opposing, non-negotiable forces. The need to withhold final conclusions, to let layers of technical texture and strategic understanding to mature. And the imperative to produce instant definitive judgment, a conveyor belt of opinions and jokes, out-of-context condemnations and meaningless contrasts, a square that can not truly be circled.
I do not propose to offer a substantive analysis of Sesko's time at Manchester United to date. The guy has started on four occasions in the Premier League in a wildly inconsistent team, scored two goals, and had a mere of 116 contacts with the ball. What exactly are we evaluating? Nor will I attempt to duplicate Gary Neville's and Ian Wright's seminal masterwork "Argument Over Benjamin Sesko", in which two famous analysts duel passionately on a popular show over whether Sesko needs ten strikes to be deemed successful this year (Neville), or whether it is more like 12 or 13 (the other).
For all this I loved watching him at Leipzig: a powerful, fast sports car of a striker, playing in a team ideally suited to his talents: afforded the freedom to attack but also the freedom to fail. Partly this is why Manchester United feels like the most unforgiving place he could possibly be at the moment: a place where "brutal verdicts" are handed down in roughly the duration it takes to load a pre-roll ad, the club with the widest and most pitiless gap between the time and air he requires, and the time and air he is going to get.
There was a case of this over the national team pause, when a viral chart conveniently stated that the player had been deemed – by a wide margin – the poorest acquisition of the summer transfer window by a survey of 20 agents. Naturally, the press are not alone in such behavior. Club channels, influencers, anonymous X accounts with a suspiciously high number of pornbot followers: everybody with a vested interest is now essentially aligned along the identical rules, an ecosystem deliberately geared for provocation.
Endless scrolling and tapping. What is happening to ourselves? Do we realize, on any level, what this endless stream of aggravation is doing to our brains? Separate from the essential weirdness of playing in the center of it all, knowing on some surreal butterfly-effect level that every single thing about them is now essentially material, product, public property to be repackaged and exchanged.
And yes, in part this is because United are United, the entity that continues to feed the narrative, a big club that must constantly be producing the strong emotions. But also, partly this is a seasonal affliction, a pendulum of judgment most clearly and cruelly observed at this season, about a month after the transfer market shut. All summer long we have been desiring players, eulogising them, drooling over them. Now, just a few weeks in, a lot of those same players are already being disdained as failures. Should we start to worry about a new signing? Was Arsenal's purchase of their striker wise? What was the point of another expensive buy?
It seems fitting that Sesko faces Liverpool on the weekend: a team simultaneously on a long unbeaten run at home in the Premier League and somehow in their own state of feverish crisis, like filing a missing person’s report on a person who went to the shops half an hour ago. Too open. Their star past his prime. Alexander Isak an expensive flop. The coach bald.
Perhaps we have failed to understand the way the narrative of football has started to replace football itself, to inflect the way we watch it, an whole competition repivoted around discussion topics and reaction, an activity that happens in the background while we browse through our phones, unable to disconnect from the constant flow of opinions and further hot takes. Perhaps Sesko taking the hit right now. However, we're all losing a part of the experience in this process.
Elara is a passionate writer and innovation coach, sharing her expertise to help others unlock their creative potential.