Elara is a passionate writer and innovation coach, sharing her expertise to help others unlock their creative potential.
Throughout the United States, Christmas exhibits have appeared that critique aggressive government immigration policies. These scenes retell the traditional nativity story, depicting the infant Christ and his family, Joseph and Mary, as victims caught up in the actions of enforcement agents.
One powerful installation at a church in the Chicago suburb of Evanston features baby Jesus lying in a crib out in the snow. Yet, the figure is wrapped in the type of emergency thermal blankets often distributed to detainees and has its wrists bound with plastic restraints.
Nearby, the statue of the Virgin Mary stands outside the church, equipped with a respirator. Such gear has been adopted by activists seeking to guard against chemical agents. She is flanked by representations of Roman soldiers, however in this scene they are dressed in tactical vests marked with the letters “ICE.”
At a different Windy City place of worship, the customary models of Jesus, Mary, and Joseph are conspicuously absent from the standard nativity scene with animals and wise men. Instead, a placard carries a direct message: “Due to enforcement actions in our community the holy family is in hiding.”
“The holiday season is a time when we have displays out on the lawn and we get an chance to say something,” said a church leader involved with one of the installations.
These visual protests reflect the visible role played by faith leaders in ongoing demonstrations against immigration enforcement. Comparable socially conscious exhibits have been erected in other states.
In one New England state, a church removed the small statue of Christ from its nativity scene. Left behind was a handmade notice that stated: “Immigration authorities were here.” The parish reportedly stood defiant despite complaints from both religious and agency officials.
For those behind these scenes, presenting the ancient tale of Christ’s birth within a contemporary sociopolitical context helps bring focus to ongoing government agendas. They contend that the family's status as displaced persons parallels the actual fears and realities of numerous households today, encompassing family separation and the removal of breadwinning loved ones.
It is not the initial instance churches have employed nativity scenes for political protest. In previous years, installations have addressed issues ranging from conflict to the environmental emergency.
The statements are not always widely accepted. A clergy member involved noted that some detractors either misinterpret the intent or “find it really challenging to their conscience and are lashing out at the art rather than considering what the true meaning is.”
In a physical sense, the weather have also impacted one display. At a separate church, the figure of St. Joseph was knocked over in a windstorm and could not be repaired. A replacement sign now marks the space, declaring: “Joseph didn’t make it. We keep this place to memorialize all the those affected of immigration enforcement terror.”
Elara is a passionate writer and innovation coach, sharing her expertise to help others unlock their creative potential.
Carl Goodwin
Carl Goodwin
Carl Goodwin
Carl Goodwin